Monster Cable MMLBOOK-B Monster Mounts Speaker Mount for One Large Bookshelf Speaker 25 lb. Capacity (Black) Review

Monster Cable MMLBOOK-B Monster Mounts Speaker Mount for One Large Bookshelf Speaker 25 lb. Capacity (Black)
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Very nicely constructed. It held my 25 lbs surrounds with ease. Very easy to install and also easily adjustable. I definitely recommend it for surround speakers.

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Monster Cable MMLBOOK-B Monster Mounts® Large Bookshelf Speaker Mount 25 lb. capacity- black

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Sharp CMS-1640 Bookshelf Speakers Review

Sharp CMS-1640 Bookshelf Speakers
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Sharp was and is a good brand,and the speakers live up to their name Sharp

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Compact bookshelf loudspeakers.

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Advent H200 Heritage Series 2-Way Bookshelf Speaker System (Pair) Review

Advent H200 Heritage Series 2-Way Bookshelf Speaker System (Pair)
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This is a steal at the 80 bucks I paid for them. The product description on Amazon really does not give enough information so I'll fill in a few details. These are well-built speakers. The enclosure is 5/8" MDF with a rear bass reflex port. There is plenty of internal vibration deadening material. There are dual sets of gold-plated binding posts. (Yes, these are bi-ampable/biwirable, unbelievable!) The crossover frequency is 2700 Hz. This is a high-quality product, not like the cheap stuff from KLH and Sony with the thin enclosures and push terminal connectors.
I actually did quite a bit of research on these after discovering what a fine product the matching center channel is. I discovered that Advent's parent company, Audiovox, markets these in Europe under their HECO brand name. HECO is quite a respectable brand in Germany that regularly competes with brands like Mordaunt-Short and Mission. The entire Heritage line from Advent is the same as the HECO Krypton Series. Apparently, since HECO does not market outside of Europe, Audiovox had no problem rebranding this line for the US market. This speaker is the same as the HECO Krypton 200. The German audio mags put these speakers in the same category as the Boston CR65, Mordaunt-Short 902, Mission M31, and the JBL E30.
The sound is quite good for a smaller speaker. The bass response is especially strong for this class. I did some frequency testing and I got strong response down to about 65Hz with a gradual drop off to about 40Hz. These are not going to rumble and shake the house but the bass is respectable. These should be paired with a subwoofer if you want more rumble. These do need about 15 hours of break-in. The bass is a little muddy at first until they are broke-in. After break-in, I would still avoid boosting the lower frequencies on your amp as it does noticeably muddy the sound. Fortunately, I felt that these did not need any boosting anyway. In fact, in the room I have these set up in, they sounded best using the included foam inserts for the bass reflex ports.
The overall sound is quite full and rich. I have these in a fairly large 16 x 21 room with a loft and 15ft ceiling. These have had no problem filling this space. I have tested these with The Flying Dutchman overture and the huge rolling E-chord that serves as the overture for Wagner's Das Rheingold. The sound was quite full with great imaging. I also put them through their paces with Nine Inch Nails "the Fragile" CD. This may seem a strange choice, but I discovered that this particularly CD set has an amazing variety of loud, soft, high, and low. It again did quite well, although on a few tracks I could definitely tell a need for a subwoofer for the low end frequencies. If you like a really bright sound, these are probably not for you.
I got a chance to compare these to the JBL E20. The Advent's had a fuller sound with stronger bass. The Advent's also had the edge in quality of construction. I also preferred these over the Bose 201. Since these cost less than either of those speaker's, it was an easy decision. These are an excellent choice for mains in a compact system or in a larger system if paired with a subwoofer. They make excellent rear speakers as well. However, these are not the best for wall-mounting. They are on the large side and weigh about ten pounds each. There is no mounting hardware attached anywhere. The fact that the bass reflex port is in the rear sort of suggests that they are not intended to go flush against a wall either. These would be best on a shelf or on speaker stands.

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Audiovox Electronics Corp. (H-200) 5.25" 2-Way Bookshelf

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Mordaunt-Short Aviano 1 Speakers Rosewood pair Review

Mordaunt-Short Aviano 1 Speakers Rosewood pair
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The good:
1) Very good build, finish & color options for the price.
2) Rated @ 100w max into 8ohms (50w continuous). It's efficient & easy to drive with most AMPs / AVRs.
3) Tweeter & squawker (midrange driver) made of aluminium, it is a material unseen at this price point. It looks fabulous without the speaker grill.
4) Superb & smooth midrange for the price. Treble is pretty disciplined & sweet.
5) Very good binding posts. Bi-wirable & bi-ampable, something only the British can understand. Lol.
6) Excellent price to performance ratio.
The bad:
1) Bass port is located at the back of the speaker. Placement may not be as easy as front ported counterparts.
2) Bass a lil' undisciplined (loose) when compared with the earlier generation Mordaunt Short (MS) 902i bookshelf speakers.
3) Sounds very harsh right out of the box. Burn in / running in takes forever. U need to run them in for at least 100hrs before they reach full potential & are ready for critical listening. Yawn!
I prefer bookshelf speakers over floor standing speakers for the following reasons:
1) Easier to drive with any AMP / AVR.
2) Flexible placement options. It can be mounted on a stand, wall, ceiling or bookshelf.
3) In smaller apartments great results can be achieved when wall mounted with a good wall mount such as B-Tech BT77 B-TECH Ultragrip Pro BT77 - Speaker bracket - black - wall-mountable (pack of 2 ). It saves floor space too. See pix.
4) Bigger is not always better. I have seen cheaper bookshelf speakers sounding more involving than their more expensive & larger floor standing cousins from the same brand / family.
Background:
In 2008, I wanted a pair of bookshelf speakers to use with an Onkyo TX-SR604 A/V Receiver (AVR) in Zone 2 (bedroom) Onkyo TX-SR604 7.1 Channel A/V Receiver (Black). I only had a budget of USD300. After months of search, research & demos it was very evident that North American (N. America here means Canada & USA only) speakers have very good highs (treble) & lows (bass) but the midrange (vocals) almost always took a backseat. British speakers on the other hand are generally warmer sounding because of a more fleshed out / forward midrange. The N. American speakers are more suited for classical and rock music. The British speakers are better at dialogue delivery & any music that had lots of vocals. If cost was no object, then I'd luv to have 2 pairs of speakers in my stereo setup, consisting of a pair of N. American & a pair of British speakers, only to make the best of both worlds.
Performance:
After listening to bookshelf speakers from Klipsch, Mirage, Paradigm, B&W, Wharfedale, Mordaunt Short etc to name a few, I rounded up on the following:
1) Mordaunt Short Avant 902i. It has a 5.25 inches squawker with a rear bass port.
2) Wharfedale Diamond 9.1 Wharfedale Diamond 9.1 Compact Speakers - Pair - Black. It has a 5.0 inches squawker with front bass ports.
Both the above speakers belonged to the same price point - USD250/pair. The Wharfedale Diamond 9.1 & the Mordaunt Short Avant 902i have very good midrange that budget British speakers are famous for. The differences were more to do with the treble & bass delivery of each speaker. The Wharfedale has a very disciplined (sweet) treble at the cost of a lil' boomy bass. MS on the other hand has a very disciplined bass at the cost of a lil' undisciplined (bright) treble. The MS midrange is a lil' more transparent & controlled than the Wharfedale. The Wharfedale has a more forgiving / warm sound which has a tendency to sound a lil' dull / boring at low volumes, whereas the MS has a more 3 dimensional, legible, involving, intimate & lively sound no matter what music I threw at it. Over extended listening it was obvious to me that the MS 902i belonged to a very different class / breed of speakers. The fit, finish & materials (Aluminum drivers) were comparable to the Paradigm SE-1 bookshelf speakers which are priced @ USD600/pair.
Design:
In my demos, I observed that squawkers (midrange drivers) with a diameter of no more or less than 5.0 - 5.7 inches deliver the best midrange. Squawkers above 5.7 inches in diameter will deliver better bass but at the cost of a lil' laidback midrange presentation. This is a valid point when deciding on a pair of bookshelf speakers if U are a midrange fanatic like me. The MS 902i is rated to go as low as 55 Hz & that's pretty good bass for most 2 channel music / presentation in medium to small size rooms. Adding a Subwoofer to the equation w'd help those with a taste / craving for deep bass or when watching a movie.
Aluminium drivers if poorly implemented can sound very harsh & it's not a material of choice for a majority of speaker manufacturers. The MS 902i is a fine example of how superb aluminium drivers can actually sound if implemented well. What really impressed me about MS bookshelf speakers is its ability to handle 'not so perfect' recordings. Even with really old 60's music, the MS 902i had a way of making it sound 3 dimensional, legible, involving, intimate & lively. The MS' intimate midrange presentation / delivery will initially make it seem like it is voiced for home theatre (movies), but the fact is it's equally capable with both movies & music. It's truly an admirable & capable performance from a pair of speakers that cost me just USD250/pair. Most speakers at this price point are either voiced for movies or music. It can't get better than this at this price point & the MS 902i is currently selling in the UK for just GBP100/pair (equivalent of USD150/pair).
It's important that U run in any MS speakers for at least 100hrs before they reach full potential & are ready for critical listening. The MS's user manual suggests 36hrs of run in, but in my experience it takes 3 times longer than that, to open them up to the next level. After 100hrs of use they actually become a different beast / animal. Patience is the key here.
MS Avant 902i Vs MS Aviano 1:
The Avant series is now replaced by the new generation Aviano series. Latest is not always the greatest. I realized this when I had the chance to set up a budget 2 channel system for a friend of mine. B'cos the MS Avant series was no longer in production, I chose the Aviano series & it was to be paired with a Cambridge Audio (CA) Azur 550A amp Cambridge Audio Azur 550A Integrated Amplifier, Silver. The Avant 902i & the Aviano 1 had the same specs on paper. The Aviano 1 was a lil' more compact with a more curvy & stylish facade than the Avant 902i speakers.
The CA Azur 550A amp has 2 pairs of speaker terminals at the back. This helped me evaluate both speakers in real time by switching the speakers using the supplied CA remote control. I was surprised to see that both speakers actually had very different presentation skills. Unlike the Avant 902i, the Aviano 1 has a very disciplined (sweet) treble at the cost of a lil' loose bass. The midrange in both speakers were strong / forward but they both sounded a lil' different from each other. I still preferred the sound of my trusty old MS Avant 902i bookshelf speakers. With the disciplined bass of the Avant 902i also comes a lil' more involving / captivating midrange & the undisciplined treble c'd be tamed a lil' with proper / careful system matching. I have achieved great results by using a Musical Fidelity V-DAC with the Mordaunt Short Avant 902i bookshelf speakers. Together they have achieved a midrange performance / benchmark not easily achieved at this price point. The Aviano 1 has its own strengths. It had more bass, a sweet top end & a clear midrange that sounded very neutral in its presentation of both movies & music.
Conclusion:
The Mordaunt Short Aviano 1 is the successor to the already superb Avant 902i bookshelf speakers. Both speakers sound different. The Avant 902i was a master at bringing out smooth midrange in songs heavy on vocals & the Aviano is the 'jack of all trades' that can handle just about anything U can throw at it in typical Mordaunt Short tradition.
Mordaunt Short, a British speaker manufacturing specialist for over 40years, surely knows how to make good quality budget bookshelf speakers at an affordable price. At USD400/pair, the Aviano 1 barely has any competition at this price point when it comes to an intimate delivery across the spectrum for both movies & music.
If I were to buy a pair of bookshelf speakers today, I'd also consider / demo the following speakers under USD1000/pair:
1) Wharfedale Diamond 10.1 priced @ USD300/pair. It has a 5.0in Kevlar squawker, 1in silk dome tweeter & twin rear bass ports.
2) KEF Q100 priced @ USD500/pair. It has a 5.25in aluminium squawker, 1in aluminium tweeter & a front bass port.
3) Mordaunt Short Mezzo 1 priced @ USD600/pair. It has a 5.25in aluminium squawker, 1in aluminium tweeter & a rear bass port.
4) Paradigm Studio 10 priced @ USD800/pair. It has a 5.5in aluminium squawker, 1in aluminium tweeter & a front bass port.
5) Dynaudio DM 2/6 priced @ USD800/pair. It has a 5.5in Magnesium Silicate Polymer squawker, 1in Silk Dome Tweeter & a rear bass port.
Just my $0.02.
Brgds.

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EMP Tek E5BiB Bookshelf Speakers Review

EMP Tek E5BiB Bookshelf Speakers
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Scenario 1) If you've ever walked into an audio store before, you may feel somewhat intimidated by the looks you get when you tell them your budget of 300 dollars a pair. They'll show you the puniest little bookshelf speaker, and proceed to compare it to maybe a 600 dollar speaker. The 600 dollar speaker will sound fuller, and fill the room better. The small, cheap bookshelf will feel inadequate, especially to the average person accustomed to listening in a tiny little car or something of that sort.
The reasons for this are simple physics and economics. They want you to buy the bigger, pricier speaker so they'll probably make it louder, and the bigger speaker will get louder more smoothly because the speaker driver moves more easily without the stiff air spring of a small box.
Now the dealer suggests using the small speaker as a surround and the bigger one as a front.He gives you a quote and it's virtually double what you expect. It sounds good, but you're not an audiophile who knows what those reviews ever even talk about when they get enchanted by the precision imaging and encompassing soundstage and warm blanketing bass and muddy, dark midrange. If you just read that and thought "huh" then you're right. You're not an audiophool. You're just someone who wants it to sound clear, right, and not have to sell your car to do it. So you give up and you're about to buy a Home Theater in a Box because your conclusion after scenario 1 was that a true home theater is too expensive. You don't need to settle for par just because of your budget. There are options out there. This is one of the best ones.
Let's start with WHY:
When you audition a speaker, you're sometimes impressed by things in audio that you think you know. The bass, the treble, the fullness. Can you really say what about those things during an audition impresses you? Most speakers in this price range are made to impress. You'll be shocked to hear what you perceive as great bass out of a little bose satellite, for example. Unfortunately, you're wrong. Exaggerated bass and great bass are totally different things. Movies and music are mixed on $5-15,000 monitor speakers that send out what they get in, not exaggerating or underemphasising any particular part of a sound. If they want an explosion to bang on their monitor, it should not "double bang" on yours. That just ends up sounding unnatural.
Likewise with voices. You can probably tell the difference between a voice in real life and a voice on a speaker in this price range. There's many reasons for this, but coloration is the main one. What is coloration, you ask? It's when a speaker adds its own signature to a sound. 99% of speakers are guilty of coloration, in any price range. The scientific methods to remove colorations are very impractical and weigh a lot. Your goal in buying a speaker should be minimal coloration. You don't want to buy a TV with a green tint, so why buy a speaker with a bass boost around 250hz and treble boost at 4000hz? It's just an injustice to the source material. Real life does not have bass boost and treble boost, nor do recording microphones have bass cuts or treble cuts.
That brings us to this speaker. It excels in its smooth frequency response in the midrange. In doing so, it presents to you the part of most movies and music we actually hear in their similar to how it's intended to be presented. And that in turn brings a new life to audio. What you're hearing is no longer exaggeration common in most speakers, but just the wholesome goods. It's as uncolored a speaker as you'll find in the price range. And that will bring you clarity and realism. At worst, there might be just a slight bit of cabinet resonance adding a hint of warmth to the upper bass, but that's not always a bad thing. It's not my ideal thing, but it won't be nearly as colored as what you'll find in the price range.
That brings us to the question of Timbre. People often wonder if they can pair their x brand speaker pair with y brand center. This is an issue because colorations can cause different voices. In this sense, relatively uncolored is its own timbre. You can match this speaker with other relatively uncolored speakers for a smooth transition. The best choice is the EMP E5Ci of course, as it's designed by the same people, is part of the same line, and uses the same drivers. Another option, if your setup allows, is to place a single E5Bi in the center above or below your TV. Vertical centers, while impractical, can have the best sounding results.
So the mids are uncolored and the treble and bass are level matched to them. How are the treble and bass? The bass is tight up to its tuning, and then falls off dramatically. Paired with a quality subwoofer, this simply won't be an issue. The tweeter used in this speaker is a nicely detailed, easy to listen to tweeter. You can point them directly at your ears and it won't sound harsh. The tradeoff however is that it does roll off the upper treble somewhat. You may find cymbals and triangles to sound a bit quieter than you're used, as most speakers in particular don't just have a flat treble response, but instead a hyped treble response. The highs on this speaker are relaxing. Clear and unhidden, but not completely flat. This can be a good thing, as some recordings have some high frequency information which isn't meant to be heard by anyone but the mixer. IT can be a bad thing, as it's not perfection. I'll take a slightly rolled off treble over an exaggerated treble any day. If you so desire, you can always EQ this to be flat with your receiver.
Next we have to get to this speaker's ability to center an image. This is more important in 2-channel stereo than it is in 5 channel surround, but basically, it's regarding the speaker's ability to place voices at the center between them. And when the voices move, they move smoothly and distintly. It's tough to describe, but basically a stereo pair of speakers should be able to bounce a sound between and often around them. Many speakers fail to do this, and instead have sound a single "field" between them, no matter the signal being fed. I have to give this guy a thumbs up.
Soundstage. Where does it feel the sound is? I'd say it feels like it's in front of me, where the speakers are as well as behind them and well wide of them. These speakers do soundstaging well. They won't bring the sound right to your face though.
Next we have to look at off-axis response. Some speakers sound good if you're listening dead-on, but highs can be lost as you shift seats. Most living rooms aren't dedicated home theaters, and most poeple spending this much money are using their living rooms. I can safely say that the off axis response of the E5Bis is excellent. Luckily this speaker has very nice off axis response, so every seat will sound very similar. Indeed, it's got a very wide "listening sweet spot".
Finally we'll consider dynamics. Quite simply, don't expect cinematic dynamics out of ANY bookshelf speaker, especially one with a dome tweeter. Don't expect gunfire to knock you out of your seat out of any bookshelf at any price range. You need huge speakers with compression drivers to get that cinematic experience. Towers will always best bookshelves in this regard too. Bookshelves are a compromise for the most part. They can be great, but don't expect total magic. For its size, this speaker seemed to have quality dynamics. It won't sound nearly as compressed as many of its competitors.
Pros:
Excellent instrument distiction and clarity. Music sounds wonderful and real.
Vocal excellence. SIngers and actors will sound very close to the real thing.
8-ohm impedance means you can match it with just about any receiver without any concern.
Extention down to 80hz means you can use the optimal blend to your subwoofer.
Weighs only 7.5 lb
Very beautiful finish.
Excellent detail,
Sharp imaging.
Cons:
It can take 100 watts and get loud, but don't expect cinematic reference levels of loudness. You need bigger, badder speakers for that.. like JTR Triple 8s
Not a satellite speaker.. it's a proper bookshelf. Satellites are VERY small. HSU and EMP both offer some quality satellites.
Somewhat resonant to the touch. If I could, I would probably open it up and line it with rigid fiberboard so the box vibrates less.
Not perfect with an 80hz crossover, which is reasonable given the price point. It's doable, but it won't be as flawlessly smooth as maybe a 100hz crossover. Audio theory suggests a 60 or 80hz crossover to a sub for the most seamless integration. With a 100hz crossover, you may find the subwoofer to be slightly localizable at times.
Rear Ported makes it somewhat questionable to wall-mount but again, it's very doable.
Low sensitivity means you may have to push your receiver a bit harder than usual to get good volume, but any 30-100 watt receiver will do fine in a moderate sized room.
It's still a bookshelf speaker. Pairing it with a subwoofer is a must.
It's not its big brother, the made-of-stone Status Acoustics Decimo! LOL!
Other recommended speakers in this general price range:
EMP e55ti (the tower for this. It's just excellent)
EMP E41-B (the limited edition step up model from the e5Bi)
Emotiva ERM 6.2 (Just be wary as I believe it's a 4-ohm speaker. Weak electronics may struggle with it)
Behringer 2030p (possibly the best deal in the world if you want accuracy for a low price)
Usher S520 (very well built speaker, looks and sounds like it's twice the price. Just be wary that the...Read more›

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MartinLogan Motion 8 Center Channel Speaker (Piano Black, each) Review

MartinLogan Motion 8 Center Channel Speaker (Piano Black, each)
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The Martin Logan Motion 8 center channel speaker is beautifully built and sounds wonderful. This is a very crisp and clear speaker, just exactly the thing you need for dialog in a center channel.
Martin Logan is well known for their audiophile level electrostatic speakers (there are tall, flat, almost transparent speakers) that start in the two thousand dollar range and rise very rapidly to the price of a new car. The Motion series is an attempt by Martin Logan to bring people into the fold looking for better sound, but not willing to spend a fortune on speakers, not unlike the economy car model.
Martin Logan's Motion speakers are not cheap economy car speakers. The exterior finish and build is stunning, although the piano black gloss finish is a fingerprint magnet. The enclosure shows dust very quickly. The front grill is a nice soft cloth, and gives a hint at the special tweeter dead center in the speaker. The Motion 8 is a heavy big speaker. Its little cousin the Motion 4 is about half the size and weight.
The speaker form is classic center channel, tall, wide and very deep. That shape can pose a lot of problems for installation. Martin Logan has included wall and flat surface mounting hardware. It comes with a unique wall mounting system that is fairly easy to use. The speaker depth is really the issue, given thin flat screen televisions; it can be difficult to figure out the mounting.
The binding posts are very strange. I'm not certain a whole new design over 8 way binding posts was really necessary, why fiddle with something that has worked so well for so many years. The posts are very graphic, it's hard to miss which wire is the + or Red wire and which is the - or Black wire.

These are very power hungry speakers. To match sound levels with several other speakers, this required a good 5 db louder setting on an Onkyo receiver (call that one notch on a normal dial louder). That is pretty typical of Martin Logan, Klipsch speaker efficiency these speakers are not.
The sound from this speaker is very nice. There are a lot of choices in this sweet spot price range. Highs are crystal clear and sharp. Midrange is very nice. Bass is somewhat lacking, but that is to be expected in surround sound system, a subwoofer will fill in that gap. This is a bright, sharp, cold, accurate speaker. Vienna Acoustics, Mirage, and Definitive similarly priced center channel speakers were much warmer speakers. None of these speakers are better than the other; they are simply adjusted to appeal to particular tastes. Some people like bright sharp speakers, and others prefer warmer sound.
Overall this is a wonderful, solid, well built speaker. It would be difficult to pair this speaker with another brand of front channel speakers; the unique tweeter sets the timbre that would be very hard to match. The Motion 4's are not nearly enough speaker to keep up with this lovely center channel. It would be best to invest in the Motion 12 or 10 floor standing models. A subwoofer is virtually a requirement with this front speaker trio. There, a person can go off the farm to their favorite subwoofer.


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Inspired by MartinLogan's ultra-high-end electrostatic loudspeakers, the Motion Series was created to provide stunning sound for your ultimate-performance home theater or stereo. MartinLogan's dedicated in-house engineers carefully crafted the Motion Series to create an extremely affordable and compact product line that seamlessly blends our exquisite Folded Motion transducers with powerful, compact bass technology. The result is a smooth, refined sound with stunning dynamic range and jaw-dropping clarity. Complementing Motion's sonic accuracy is elegant yet understated styling. Flawless high-gloss, piano black finishes and subtle curves, along with our signature perforated grille, give Motion Series speakers an elegant and timeless look. Tower models feature a real-wood veneer finish and a stylish aesthetic certain to blend with any decor. The curves also serve a purpose; they allow Motion compact bookshelves to mount at two different angles with the included wall bracket. This means you can point sound directly toward the desired listening area for high or low wall mounting applications. Beauty and brains! Convenient push-style speaker terminals and curved inserts help guide speaker wire effortlessly into place. The rubber end caps on the terminal are also removable for the use of banana plugs instead of bare wire. So simple, you'll actually enjoy hooking up these speakers.

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JVC UX-PL5 CD Micro Component System Review

JVC UX-PL5 CD Micro Component System
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I had a JVC boombox once, and it was the best sounding radio/cassette boombox I ever had. Therefore, I wanted another JVC product. I was disappointed that it wasn't as great-sounding as I had anticipated. However, it plays nicely. In retrospect, I would have bought the other JVC compact stereo with 100 watts of power. I didn't see the other one until I had already ordered this one. If you're reading this, I would recommend going with the 100-watt JVC instead of this one, which is only 70 watts. They're about the same price. I also just bought a Sony boombox, and it sounds much better than this JVC stereo.

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Play all of your music--from CD to iPod--with the JVC UX-LP5 micro component system, which features 70 watts of total power and a retractable flip dock places your iPod front and center. In addition to music playback, the JVC UX-LP5 also includes a composite video output, enabling you to connect the system to your TV or compatible computer monitor and view video stored on the iPod.


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